![]() “He has this weird cocktail of characteristics where absolutely everyone-men, women, children-finds him completely charming,” George Kay, one of the show’s creators, said. As the artistic producer, the headliner, and the unmistakable raison d’être of the only French-language show ever to immediately hit Netflix’s American Top Ten, Sy has become something of a roadside Jesus in his own right. In its first month, it drew viewers from seventy-six million households, more than “The Queen’s Gambit” or “Bridgerton.” “Lupin,” according to one of Netflix’s internal metrics, is the company’s second-biggest original début of all time. “I didn’t want to come in and play Lupin like the rest of them.”ĭespite its antique source material, the show has become an enormous international hit, topping Netflix’s charts in such diverse markets as Germany, Brazil, and the Philippines. “When you think of Lupin, at least in France, it’s a bit dusty,” Sy said. (The most famous of these was a nineteen-seventies series starring Georges Descrières.) By the time Sy came along, the franchise was slightly shopworn. ![]() Leblanc had ambitions of becoming a serious novelist, but Lupin proved so lucrative that he devoted the better part of his career to the character, writing dozens of novels and novellas, which were adapted into comic books, plays, films, and television shows. Leblanc created Lupin in 1905, serializing his adventures in the popular science magazine Je Sais Tout. “Lupin” draws from Maurice Leblanc’s series of detective stories about the gentleman thief Arsène Lupin. ![]() A second installment of five episodes is available now. In January, Netflix released the first five episodes of “Lupin,” a French-language series starring Sy as Assane Diop, a high-minded lowlife whose crimes might be understood as acts of reclamation. creatures.” (What’s more Hollywood than a quote from Chris Pratt?) as well as a sense of goodness to sell the idea of a real love, and a kind of warmth opposite these essentially C.G.I. His “Jurassic” co-star Chris Pratt told me that Sy’s magnetism made him ideal for the role: “It was so important to cast someone with enough physicality to hold his own opposite me . . . for nearly a decade now he does yoga and hikes the canyons and switches from French to English to say things like “perfect fit” and “make a statement.” He’s played a time-travelling superhero (“X-Men: Days of Future Past”) and a robot who metamorphoses into a sports car (“Transformers: The Last Night”), and worked alongside Bradley Cooper (“Burnt”), Tom Hanks (“Inferno”), and a quartet of shrieking velociraptors (the “Jurassic World” franchise). “But then I discovered that’s what pleases me so much-you dress how you like, you walk how you like, and nobody looks.” “That was what blew me away about Los Angeles,” he said. I was the only one looking.” Sy, who was born and raised in France, had only recently arrived in Los Angeles, and, gawking at what seemed normal to everyone else, he felt conspicuously foreign. “And right next to him there’s a girl marching along with her Starbucks, and then, on the other side, a guy doing his jogging, and some other dudes washing their car. ![]() I’m asking myself, ‘Am I hallucinating, or what?’ ” Sy recalled. “He was walking barefoot in the street, and I’m staring at him, slowing down to get a better look. He had just dropped his children off at school and was driving home on Sunset Boulevard when he spotted a man with flowing hair and a long beard, dressed in a white toga.
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